Bhool Chuk Maaf movie review: Rajkummar Rao and Wamiqa Gabbi’s Time Loop Wrapped in Clichés and Missed Opportunities

by | Jun 20, 2025 | Entertainment, Home | 0 comments

Bhool Chuk Maaf movie review: Rajkummar Rao and Wamiqa Gabbi’s Time Loop Wrapped in Clichés and Missed Opportunities

**½ (2.5/5)

Bhool Chuk Maaf, directed by Karan Sharma, attempts to marry the fantastical concept of a time loop with the deeply traditional themes of marriage, religion, and moral dilemmas. Unfortunately, what could have been a refreshing take on emotional conflict and societal pressure ends up being an uneven and uninspired ride.

The film revolves around Ranjan (Rajkummar Rao), a small-town man whose only roadblock to marrying his beloved Titli (Wamiqa Gabbi) is his lack of a government job—a familiar trope that’s instantly predictable. A twist of fate and a questionable bribe land him the job, but instead of celebrations, Ranjan finds himself reliving the same haldi day over and over again, stuck in a frustrating time loop where the wedding day never arrives.

As Ranjan searches for a way out, a divine intervention reveals that he must fulfill a spiritual pledge or mannat. Enter Hamid Ansari, the original candidate for Ranjan’s job, whose despair pushes him to the edge of suicide. What follows is a moral conundrum for Ranjan—should he sacrifice his dream wedding to save a stranger’s life?

Rajkummar Rao, though a dependable performer, brings nothing new to the table. His Ranjan lacks the depth or transformation expected from someone facing such an existential dilemma. Wamiqa Gabbi, while refreshing in presence, is burdened by a poorly written role that turns shrill and one-note as the plot progresses.

The film’s color palette feels mismatched, just like the lead pair’s chemistry. Repetitive sequences weigh down the pacing, and the religious undertones feel inserted rather than integrated.

Despite a few good performances by supporting actors and an emotionally compelling premise, Bhool Chuk Maaf ends up reminding you of better films like Baar Baar Dekho or Groundhog Day, without delivering their emotional payoff or narrative charm.

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